Open to interpretation. That's what most Metallica songs are.
Here's a Metallica track sa pamamagitan ng track from Kill 'Em All to the Black album according to rock scribe Vincent Cecolini.

KILL 'EM ALL (Megaforce, 1983)

- "Hit The Lights"- An auspicious opening to their legendary debut, the song also appeared in rougher form on the Metal Massacre I compilation before either Cliff burton or Hammett joined. A great opener for the band's early live shows, lyrically the song is immature sa pamamagitan ng present araw Metallica standards and is now rarely performed.

- "The Four Horseman"- The original version of this Metallica epic was called "Mechanix,"co-written sa pamamagitan ng original guitarist Dave Mustaine and appears[in that form] on Megadeth's debut Killing Is My Business...And Business I Good.

- "Motorbreath"- This thrash classic was rumored to be inspired sa pamamagitan ng cocaine, but is actually about being a loyal tagahanga of the band's music.

- "Jump In The Fire"- From the perspective of the devil, Hetfield sings of how easily people give in to temptations. Released as both a "12" single and limited edition picture disc with the Devil looming large in a pit of flames.

- "(Anesthesia)-Pulling Teeth"- Supposedly written sa pamamagitan ng original bassist Ron McGovney, this bass solo was adopted and augmented sa pamamagitan ng Cliff burton and would became his trademark.

- "Whiplash"- This headbanging anthem-titled after what over-zealous fans often experience the morning after a concert-is still a major part of the band's live set.

- "Phantom Lord"- The song that begins side-two of the vinyl version of Kill 'Em All, is the arrogant war cry of a mythical heavy metal creature. The most musically mature song on the album, it hints at where the band's sound would head.

- "No Remorse"- Metallica's first anti-war song, it talks of people who go off to war for the sake of killing;guiltless and numb to the pain of their victims.

- "Seek & Destroy"- During the band's current concerts-with vocals now handled sa pamamagitan ng Jason Newsted-this song is part of the audience participation portion of the show. fans lucky enough to be at the front of the stage or in the Snake Pit are ibingiay the chance to emulate their bayani sa pamamagitan ng chiming in with the song's title, while Hetfield holds the microphone and judges each attempt.

- "Metal Militia"- Co-written sa pamamagitan ng Hetfield, Ulrich, and Mustaine, the album's closing track is a call-to-arms song for metalheads.


RIDE THE LIGHTNING (Megaforce/Elektra, 1984)

- "Fight apoy With Fire"- Acoustic gitara turns into into a full-on thrash assault in this song of revenge and Armageddon, a common topic among metal bands of that era.

- "Ride The Lightning"- An epic that graphically details death sa pamamagitan ng electrocution, Written sa pamamagitan ng Ulrich, Hetfield, Burton, and Dave Mustaine, who has often sinabi that he tried to teach Hetfield the song's famous, intricate gitara break without success.

-"For Whom The kampanilya Tolls"- Driven sa pamamagitan ng Burton's bass, this war song was inspired sa pamamagitan ng a film of the same name.

-"Fade To Black"- The band's first ballad, it's about the grim contemplation and execution of suicide. Although anti-final solution, the song has been singled out, with Ozzy Osbourne's "Suicide Solution." The band maintains that they have received letters from fans who were dissuaded from taking their lives sa pamamagitan ng this song.

- "Trapped Under Ice"- This nightmarish epic uses a person simultaneously drowning and freezing to death to symbolize a person living zombie-like, burnt out and perhaps a drug addict.

- "Escape"- The story of an absolute loner, it is the album's shortest track at 4:33, hinting at the style the band would eventually embrace.

- "Creeping Death"- Classic Metallica, although parts of this song is borrowed from the rarely heard Exodus song "Dying sa pamamagitan ng His Hand." The lyrics to Metallica's version are based on the film "The Ten Commandments" madami so than the bible.

- "The Call of Ktulu"- With lead bass sa pamamagitan ng Burton, this song was inspired sa pamamagitan ng the Necronomicon and H.P. Lovecraft's Cthulhu Mythos. Originally called "When Hell Freezes Over"


MASTER OF PUPPETS (Elektra, 1986)

- "Battery"- Trying to ilipat away from being known merely as a speed metal act, Ulrich once hesitantly referred to this song as "thrashy."

-"Master of Puppets"- A classic epic of the horrors of drug dependency.

- "The Thing That Should Not Be"- Another song based on horror may-akda H.P. Lovecraft's Cthulhu Mythos and his classic short story "The Shadow Over Innsmouth."

- "Welcome tahanan (Sanitarium)"- The band's segundo ballad, this one tells of being forced to be at tahanan in an insane asylum.

- "Disposable Heroes"- The band's acclaimed anti-war song that details the struggle of individualism against authority.

- "Leper Messiah"- Dave Mustaine claimed he wrote the song's main riff and was not ibingiay credit. The matter was settled quietly.

- "Orion"- A paborito of the late bassist Cliff Burton, this instrumental that displayed his talents was played at his memorial service in San Francisco.

- "Damage, Inc."- This thrashy, fight song spawned a variety of t-shirts, named a few kalye gangs, and became the pamagat of a comic book.


garahe DAYS RE-REVISITED (Elektra, 1987)

- "Helpless"- The band's segundo Diamond Head cover, it actually improves on the original.

- "The Small Hours"- Arguably the band's most obscure cover, this song was originally recorded sa pamamagitan ng Holocaust in 1983, the same taon that saw the release of Kill 'Em All.

- "The Wait"- Metallica's re-working of the Killing Joke classic is much harder and not as "poppy" as the original.

- "Crash Course In Brain Surgery"- A cover of the Budgie classic where Jason "Newkid" Newsted gets to display his abilities to Metallica fans not familiar with his work on Flotsam & Jetsam's debut, Doomsday For The Deceiver.

- "Last Caress/Green Hell"- A duo of contrasting Misfits covers, the first, a morbidly humorous parody of the pop song format, the other, pure hardcore. It all ends with the band's hilarious, but painful, false start of Iron Maiden's "Run To The Hills."


AND JUSTICE FOR ALL (Elektra, 1988)

- "Blackened"- After beginning two albums with an acoustic riff, this one starts with high intensity build up. This song was co-written sa pamamagitan ng Newsted, though you would never know it from listening. The sound is so poor, the bass is nearly absent from the mix. It is the band's first ecologically-minded tirade.

- "...And Justice For All"- The pamagat track is critical of American ideals. Something the band will contradict on its susunod album.

- "Eye Of The Beholder"- Freedom is only as true as you perceive it. Released as a single, its flip-side features a raw run through of Budgie's "Breadfan."

- "One"- Metallica's most popular, well-known song, is an anti-war story of a soldier who has Nawawala all his limbs, is deaf, blind, and mute, yet is still alive and aware. After the album's release, fans informed the band of a movie with a similar plot ("Johnny Got His Gun"). Rights to film were purchased sa pamamagitan ng the band for use in their first music video.

- "The Shortest Straw"- A song of contemporary blacklisting.

- "Harvester of Sorrow"- The story of a drunken and drugged man who torments his family before finally cracking and murdering them.

- "The Frayed Ends of Sanity"- Its intro lifts the march of the Evil Witch's soldiers from The Wizard of Oz, which, ironically was also later used sa pamamagitan ng Prince. The song deals with reappearing insanity and the growing inability to distinguish pantasiya from reality.

- "To Live Is To Die"- Cliff Burton's post-humorous contribution is an instrumental that features his poetry-spoken sa pamamagitan ng Hetfield-and a riff which the band composed around. Also, clocking in at 9:48, it is the band's longest epic.

-"Dyers Eve"- Rumored to be inspired sa pamamagitan ng Dyers Avenue in Manhatten, New York City, it is about the ultimate act of teen angst, a violent suicide.


THE BLACK ALBUM (Elektra, 1991)

- "Enter Sandman"- A nightmarish-lullaby dealing with a child's fear of entering the dreamscape, it was the album's first single and video clip and also the first of many hits from the record, quickly finding a tahanan in the tuktok thirty.

- "Sad But True"- Pure power stomp., its a song of obsessive manipulation.

- "Holier Than Thou"- The albums most aggressive track, the song's message is "those who live in glass houses should not throw stones." Is it a crack against music critics?

- "The Unforgiven"- The band's first song to include orchhestral instumentation, it details the life of a person brow-beaten into conforming to society while being denied the chance to be open-minded or creative.

- "Wherever I May Roam"- Beginning with an electric sitar, this road song is the edict of a person who is constantly on the go, who never has the chance to plant his roots or settle down in one place. The song's narrator eventually admits that anywhere he pauses is his home.

- "Don't Tread On Me"- Taking its name from the revolutionary flag that bears the coiled snake, it is the album's most controversial track. Its patriotic stance starkly contrasts the anti-Americanism slant of And Justice For All.

- "Through The Never"- Another frantic track, it's about the never-ending pursuit of knowledge, no matter how unfeasible it may seem in the perpetual universe.

- "Nothing Else Matters"- The closest the band has ever come to Pagsulat a pag-ibig song, this ballad is arguably the band's most accomplished song featuring vocal harmonies and strings.

- "Of lobo and Man"- A werewolf song, it symbolizes the hunter who believes he is one with nature.

- "The God That Failed"- Bass-driven tirade on people who believe in Christian Science and thus deprive their child of medical attention. It is also a thinly-veiled autobiographical song involving Hetfield's strict religious parents.

-"My Friend of Misery"- Outsider view of someone reveling in self-pity and maintaing a pessimistic view of the entire world.

- "The Struggle Within"- With a drummer's march intro, the dramatic conclusion of Metallica's fifth album deals with a person suffering from a self-defeating personality.



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