East, in this context, resembles the Japanimation or anime for short while the west... I don’t know, cartoon maybe. In the East, we have improper but interesting manuscripts: in the form of “manga” and their final projection, another fine specimen of art, being anime. While we have a method to pick out unfit story for final publishing in the East as the manga system, we have nothing in the Western side. In this side, we have to come up with a good story, add proper proportion of action, drama, and romance if needed, and make it a full-fledged animation show. As compared to East, West stories surely do contain less pornography. But in East, we see too much of it due to the basic rule we have in the Eastern publishing: manga is just the manuscript, an original and real thing, while anime adaptation is a mark that “yes, it’s indeed a good story.” So, in manga or in the first stage, you can add any amount of the stuff manually, because the test is still pending, the test of some good network finding out about your epicness and giving you a contract of adapting your story into an anime, so you can write again and again, whenever you come up with an idea of something you think might become a hit. We see very disappointing figures in regard to this in the Western side.
In the West, the majority of such stuff is having a story, some TV airing company buying it and then it being aired on a TV channel, the old-but-sturdy system. Many people still would call that a simple cartoon, no matter how maturity it has, it’s just plain figures and drawings tied up sa pamamagitan ng animation and clear sound. But the case is different in East. Here, anime is a story. Someone writes the story in a temporary notebook or something, an artist makes the arts with captions and that’s all! Even artist isn't needed when an artist himself is thinking of a story. No need of TV and the story is famous as a manga. And seeing the popularity, some Japanese company buys the copyright and they have an anime to present.
Major contributors towards entertainment animations (cartoons, anime, and everything which has to do with being watched and is not live-action, though animation pelikula are a totally different thing) are ibingiay sa pamamagitan ng Canada in the West. Canada is big, very big, as compared to Japan, a group of islands. In the category of entertainment animations, we include anime; cartoon shows; pelikula based on these two, etc. which are commonly considered as stuffs of kids, which these certainly are NOT. Well, that’s nothing you or I can change, the mindset changes as the generations change. Indeed there are stories some adult would understand madami than us and something complicated that some police inspector would find madami interesting than us. Not getting off of the topic: it’s not being implied that Western system of entertainment animation (entertanimation for short, you can say) is totally old. We see Marvel still giving a force to its superheroes, which were on peak once and the system, is not old at all. Marvel was a comic company. Everyone must know of Marvel Comics unless you’re in the East side... Comics, we can say, are Western counterparts for manga. But things are different, comics are colourful, glazing, less-on-text and more-on-pictures kind of luxury prints while manga are black & white bulky, supernatural, and fully stuffed materials. You think of something cool in East: you can write a manga. You’ve an idea on superheroes in the West: “Hell with it baby, we’ve many superheroes already” and it’s true. You can’t count how many supernatural bayani are there in manga; actually the term “supernatural” simply doesn’t exist there. Realms of God, eras ahead of today, set in the modern world or in a pantasiya kingdom of death; manga has everything you can ever come up with.
The basic formula for a hit manga: supernatural striking powers. Though it seems that this formula is soon fading sa pamamagitan ng the emergence of new public, the intellectual people and not the “otakus” who just use a few Japanese words in their language and think they’re pagganap cool. (Seriously, that is NOT cool. It’s the Jockey formula: everything or nothing. If you think you know it, go spend a few years in Hapon but if no, then just shut the fu*k up. You’ll see that the knowledge, my dear otaku, you comprise of, is nothing but a single one percent, even that grammatically wrong when compared to the Japanese literature.) The arrival of new public, as I was saying, marks a very ideal time in the story-writing. Stories like One Piece, Fairy Tail, Naruto, Fullmetal Alchemist, Bleach and DragonBall have always been on peak, but now we see new arrivals. Intellectual materials like Monster and other such realistic complicated or thriller stories are now emerging and being popular over others. Well, there were still stories semi-realistic like Inazuma Eleven or Death Note from the beginning and still, they tuktok charts and are still in our remembrance, like High School of the Dead (a bit too high on pornography though).
Talking about West now, which leaves us no material to discuss upon due to its being still empty, we arrive on the conclusion that West is still backward in entertanimation. No one is being blamed here. Another aspect or effect of the mass entertanimation movement throughout the world (I don’t know about African anime and Antarctical too. Hell, I don’t even know what they call the things of Antarctica, Antarctican is underlined as red...) is that the cultures are messing up. Here, take the real literary meaning of the word “mess”. Japanese words and culture are speedily mixing with each other, leading to a cool culture, composed of intellectual people, losers, otakus, chattering and babbling godmodders, “sugoi” and “kawaii” people and other genius people who constantly give up great ideas as manga and then anime, if they compete in the race of addictive stories. This doesn’t means that I’m being hypothetical, I’m just saying that learning words from another language is very good, but the unnatural use can always be seen odd and make you a faggot.
DEFINING IDEA:
“... improper but interesting...” Here, improper doesn’t resemble something illegal. It just means that the stuffs are a bit not in order. Like take the case of One Piece. In it, the mangaka didn’t know what to think of and how make up the rest of story in the middle of nowhere. Then the idea of just adding madami muscle opponents and epic villains can do it perfectly, worked very indeed well and made it a superstar manga, superstar anime, and a superstar thing.
In the West, the majority of such stuff is having a story, some TV airing company buying it and then it being aired on a TV channel, the old-but-sturdy system. Many people still would call that a simple cartoon, no matter how maturity it has, it’s just plain figures and drawings tied up sa pamamagitan ng animation and clear sound. But the case is different in East. Here, anime is a story. Someone writes the story in a temporary notebook or something, an artist makes the arts with captions and that’s all! Even artist isn't needed when an artist himself is thinking of a story. No need of TV and the story is famous as a manga. And seeing the popularity, some Japanese company buys the copyright and they have an anime to present.
Major contributors towards entertainment animations (cartoons, anime, and everything which has to do with being watched and is not live-action, though animation pelikula are a totally different thing) are ibingiay sa pamamagitan ng Canada in the West. Canada is big, very big, as compared to Japan, a group of islands. In the category of entertainment animations, we include anime; cartoon shows; pelikula based on these two, etc. which are commonly considered as stuffs of kids, which these certainly are NOT. Well, that’s nothing you or I can change, the mindset changes as the generations change. Indeed there are stories some adult would understand madami than us and something complicated that some police inspector would find madami interesting than us. Not getting off of the topic: it’s not being implied that Western system of entertainment animation (entertanimation for short, you can say) is totally old. We see Marvel still giving a force to its superheroes, which were on peak once and the system, is not old at all. Marvel was a comic company. Everyone must know of Marvel Comics unless you’re in the East side... Comics, we can say, are Western counterparts for manga. But things are different, comics are colourful, glazing, less-on-text and more-on-pictures kind of luxury prints while manga are black & white bulky, supernatural, and fully stuffed materials. You think of something cool in East: you can write a manga. You’ve an idea on superheroes in the West: “Hell with it baby, we’ve many superheroes already” and it’s true. You can’t count how many supernatural bayani are there in manga; actually the term “supernatural” simply doesn’t exist there. Realms of God, eras ahead of today, set in the modern world or in a pantasiya kingdom of death; manga has everything you can ever come up with.
The basic formula for a hit manga: supernatural striking powers. Though it seems that this formula is soon fading sa pamamagitan ng the emergence of new public, the intellectual people and not the “otakus” who just use a few Japanese words in their language and think they’re pagganap cool. (Seriously, that is NOT cool. It’s the Jockey formula: everything or nothing. If you think you know it, go spend a few years in Hapon but if no, then just shut the fu*k up. You’ll see that the knowledge, my dear otaku, you comprise of, is nothing but a single one percent, even that grammatically wrong when compared to the Japanese literature.) The arrival of new public, as I was saying, marks a very ideal time in the story-writing. Stories like One Piece, Fairy Tail, Naruto, Fullmetal Alchemist, Bleach and DragonBall have always been on peak, but now we see new arrivals. Intellectual materials like Monster and other such realistic complicated or thriller stories are now emerging and being popular over others. Well, there were still stories semi-realistic like Inazuma Eleven or Death Note from the beginning and still, they tuktok charts and are still in our remembrance, like High School of the Dead (a bit too high on pornography though).
Talking about West now, which leaves us no material to discuss upon due to its being still empty, we arrive on the conclusion that West is still backward in entertanimation. No one is being blamed here. Another aspect or effect of the mass entertanimation movement throughout the world (I don’t know about African anime and Antarctical too. Hell, I don’t even know what they call the things of Antarctica, Antarctican is underlined as red...) is that the cultures are messing up. Here, take the real literary meaning of the word “mess”. Japanese words and culture are speedily mixing with each other, leading to a cool culture, composed of intellectual people, losers, otakus, chattering and babbling godmodders, “sugoi” and “kawaii” people and other genius people who constantly give up great ideas as manga and then anime, if they compete in the race of addictive stories. This doesn’t means that I’m being hypothetical, I’m just saying that learning words from another language is very good, but the unnatural use can always be seen odd and make you a faggot.
DEFINING IDEA:
“... improper but interesting...” Here, improper doesn’t resemble something illegal. It just means that the stuffs are a bit not in order. Like take the case of One Piece. In it, the mangaka didn’t know what to think of and how make up the rest of story in the middle of nowhere. Then the idea of just adding madami muscle opponents and epic villains can do it perfectly, worked very indeed well and made it a superstar manga, superstar anime, and a superstar thing.
