The house at Neverland was filled with images, many of them depicting Michael life-sized, elaborately costumed, in heroic poses with cape, sword, ruffed collar, crown. The rest were an example of a sort of obsessive iconography: larawan of Elizabeth Taylor, Diana Ross, Marilyn Monroe and Charlie Chaplin – and for that matter of Mickey mouse and Peter Pan, all of whom, over the years, in what is less a life than a metamorphosis, he had come physically to resemble.





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