Poetry, song and autobiography have been interlinked for millennia. In my pioneering life, beginning in 1962, the music and words of The Beatles and Bob Dylan, the culture of the sixties and my own autobiography come together in an interesting cross-fertilization. Bob Mason's unpublished PhD Thesis on 'The Dialogue Between the Beatles and Bob Dylan'1 illumined, for me, this tatsulok of relationships. To take but one of many possible examples, the very buwan I decided to pioneer among the Eskimo, October 1965, The Beatles' hit "Nowhere Man" was released, sinabi Mason. Most of their songs were about their coming to terms with autobiographical issues, about changing society, about drugs(after 1965) and about a dialogue between these megastars. Paul McArtney said, in a song he wrote in the 1990s, that the members of his group, The Beatles, always came back to the songs they had been pag-awit because these songs told them, and everyone else who was interested, where they were at. This is quintessentially true of my own poetry: they tell of where I was at. When I reread them I orient myself and my life. -Ron Price with thanks to 1"Arts Today," ABC Radio National, 10:05-11:00 am, 16 January 2002.
I was finally knowing
where I was going to
and feeling as if I could
finally see some light
at the end of the tunnel,
thinking for myself:
none of this bourgeoisie
normality for me,
going where noone
had gone before----1
at least from my corner,
doing what noone expected,
nothing to do with drugs,
helping to change the world
in a way none else could see,2
on my own, breaking the umbilical chord,
no madami of the family pasko and Easter
and endless birthday scenes for me,
no madami of the 'daddy,' 'mommy'
and all the old mga kaibigan for me:
this was my own response to existence.
This was a starting new
and working out my way of being
my take on the world and its load.
I was not a 'Nowhere Man.'
I was 'doing what I wanted to do,'
thinking what I wanted to think,3
or so I thought.
1 Going to live among the Eskimo, away from family and friends, had an absurdity to it in 1965 in the conservative climate I grew up in in southern Ontario.
2 Outside the small bilog of Baha'is I knew then. 3See the George Harrison song: Do What You Want To Do. Ron Price....16 Jan. 2002
I was finally knowing
where I was going to
and feeling as if I could
finally see some light
at the end of the tunnel,
thinking for myself:
none of this bourgeoisie
normality for me,
going where noone
had gone before----1
at least from my corner,
doing what noone expected,
nothing to do with drugs,
helping to change the world
in a way none else could see,2
on my own, breaking the umbilical chord,
no madami of the family pasko and Easter
and endless birthday scenes for me,
no madami of the 'daddy,' 'mommy'
and all the old mga kaibigan for me:
this was my own response to existence.
This was a starting new
and working out my way of being
my take on the world and its load.
I was not a 'Nowhere Man.'
I was 'doing what I wanted to do,'
thinking what I wanted to think,3
or so I thought.
1 Going to live among the Eskimo, away from family and friends, had an absurdity to it in 1965 in the conservative climate I grew up in in southern Ontario.
2 Outside the small bilog of Baha'is I knew then. 3See the George Harrison song: Do What You Want To Do. Ron Price....16 Jan. 2002